SAREE

SAREE
A sari or saree or shari is a female garment in the Indian Subcontinent A sari is a strip of unstitched cloth ranging from four to nine metres in length that is draped over the body in various styles. The most common style is for the sari to be wrapped around the waist with one end then draped over the shoulder baring the midriff.
The sari is usually worn over a petticoat (pavada/pavadai in the south, and shaya in eastern India), with a blouse known as a choli or ravika forming the upper garment. The choli has short sleeves and a low neck and is usually cropped, and as such is particularly well-suited for wear in the sultry South Asian summers. Cholis may be "backless" or of a halter neck style. These are usually more dressy with a lot of embellishments such as mirrors or embroidery and may be worn on special occasions. Women in the armed forces, when wearing a sari uniform, don a half-sleeve shirt tucked in at the waist. The saree was born in both South and North India and is now a symbol for all of India.
Origins and history
The word 'sari' evolved from the Prakrit word 'sattika' as mentioned in earliest Jai and Buddhis literature
The history of Indian clothing trace the sari back to the Indus Valley Civilization, which flourished during 2800-1800 BCE around the western part of the Indian Subcontinent. The earliest known depiction of the saree in the Indian subcontinent is the statue of an Indus valley priest wearing a drape.
Ancient Tamil poetry, such as the Silappadhikaram and the Kadambari by Banabhatta, describes women in exquisite drapery or saree. In ancient Indian tradition and the Natya Shastra (an ancient Indian treatise describing ancient dance and costumes), the navel of the Supreme Being is considered to be the source of life and creativity, hence the midriff is to be left bare by the saree.
Some costume historians believe that the men's dhoti, which is the oldest Indian draped garment, is the forerunner of the sari. They say that until the 14th century, the dhoti was worn by both men and women.
Sculptures from the Gandhara, Mathura and Gupta schools (1st-6th century AD) show goddesses and dancers wearing what appears to be a dhoti wrap, in the "fishtail" version which covers the legs loosely and then flows into a long, decorative drape in front of the legs. No bodices are shown.
Other sources say that everyday costume consisted of a dhoti or lungi (sarong), combined with a breast band and a veil or wrap that could be used to cover the upper body or head. The two-piece Kerala mundum neryathum (mundu, a dhoti or sarong, neryath, a shawl, in Malayalam) is a survival of ancient Indian clothing styles, the one-piece sari is a modern innovation, created by combining the two pieces of the mundum neryathum.
It is generally accepted that wrapped sari-like garments, shawls, and veils have been worn by Indian women for a long time, and that they have been worn in their current form for hundreds of years.
One point of particular controversy is the history of the choli, or sari blouse, and the petticoat. Some researchers state that these were unknown before the British arrived in India, and that they were introduced to satisfy Victorian ideas of modesty. Previously, women only wore one draped cloth and casually exposed the upper body and breasts. Other historians point to much textual and artistic evidence for various forms of breastband and upper-body shawl.
In Kerala and Tamil Nadu, it is indeed documented that women from many communities wore only the sari and exposed the upper part of the body till the 20th century. Poetic references from works like Shilappadikaram indicate that during the sangam period in ancient Tamil Nadu, a single piece of clothing served as both lower garment and head covering, leaving the bosom and midriff completely uncovered. In Kerala there are many references to women being bare-breasted, including many pictures by Raja Ravi Varma. Even today, women in some rural areas do not wear cholis.
Styles of draping
The most common style is for the sari to be wrapped around the waist, with the loose end of the drape worn over the shoulder, baring the stomach. However, the sari can be draped in several different styles, though some styles do require a sari of a particular length or form. TheFrench cultural anthropologist and sari researcher, Chantal Boulanger, categorizes sari drapes in the following families:
 Nivi – styles originally worn in Andhra Pradesh; besides the modern nivi, there is also the kaccha nivi, where the pleats are passed through the legs and tucked into the waist at the back. This allows free movement while covering the legs.
 Bengali and Oriya style.
 Gujarati – this style differs from the nivi only in the manner that the loose end is handled: in this style, the loose end is draped over the right shoulder rather than the left, and is also draped back-to-front rather than the other way around.
 Maharashtrian/kashta; This drape (front and back) is very similar to that of the male Maharashtrian dhoti. The center of the sari (held lengthwise) is placed at the center back, the ends are brought forward and tied securely, then the two ends are wrapped around the legs. When worn as a sari, an extra-long cloth is used and the ends are then passed up over the shoulders and the upper body. They are primarily worn by Brahmin women of Maharashtra, Karnataka, Andhra Pradesh and Tamil Nadu.
 Dravidian – sari drapes worn in Tamil Nadu; many feature a pinkosu, or pleated rosette, at the waist.
 Madisaara style – This drape is typical of Brahmin ladies from Tamil Nadu and Kerala
 Kodagu style – This drape is confined to ladies hailing from the Kodagu district of Karnataka. In this style, the pleats are created in the rear, instead of the front. The loose end of the sari is draped back-to-front over the right shoulder, and is pinned to the rest of the sari.
 Gond – sari styles found in many parts of Central India. The cloth is first draped over the left shoulder, then arranged to cover the body.
 the two-piece sari, or mundum neryathum, worn in Kerala. Usually made of unbleached cotton and decorated with gold or colored stripes and/or borders.
 tribal styles – often secured by tying them firmly across the chest, covering the breasts.
The nivi style is today's most popular sari style. (Dongerkerry K. S. 1959).
The nivi drape starts with one end of the sari tucked into the waistband of the petticoat. The cloth is wrapped around the lower body once, then hand-gathered into even pleats just below the navel. The pleats are also tucked into the waistband of the petticoat. They create a graceful, decorative effect which poets have likened to the petals of a flower.
After one more turn around the waist, the loose end is draped over the shoulder. The loose end is called the pallu or pallav. It is draped diagonally in front of the torso. It is worn across the right hip to over the left shoulder, partly baring the midriff. The navel can be revealed or concealed by the wearer by adjusting the pallu, depending on the social setting in which the sari is being worn. The long end of the pallu hanging from the back of the shoulder is often intricately decorated. The pallav may either be left hanging freely,tucked in at the waist, used to cover the head, or just used to cover the neck, by draping it across the right shoulder as well. Some nivi styles are worn with the pallu draped from the back towards the front.
The Nivi saree was popularised through the paintings of Raja Ravi Varma. by modifying the south indian saree called mundum neriyathum. In one of his painting the Indian subcontinent was shown as a mother wearing a flowing nivi saree.
In Bangladesh
The Sari is worn by women throughout Bangladesh. There are many regional variations of Saris in both silk and cotton. But the JamdaniTanta/Taant Cotton, Dhakai Benarosi, Rajshahi silk, Tangail Tanter Sari– and Katan Sari as the most popular in Bangladesh.Popular actresses Aishwarya Rai and Madhuri Dixit wore the Dhakaiya Benaroshi Sari in the song"Dola re Dola" of the film "devdas".
In Pakistan
In Pakistan, the wearing of saris is less common than the more traditional shalwar kameez which is worn throughout the country. The sari does however remain a popular dress for formal functions such as weddings. The sari is sometimes worn as daily-wear, mostly in Karachi, by those elderly women who were used to wearing it in pre-partition India and by some of the new generation who have re-introduced the interest in saris. The reason why the sari lost popularity in Pakistan, was due to it being viewed as a Hindu dress. Although she was seen wearing them, Fatima Jinnah, the "Mother of the Nation", called the sari "unpatriotic" and the wife of former Pakistan President Pervez Musharraf stated that she never wears the garment.
In Sri Lanka
Sri Lankan women wear saris in many styles. However, two ways of draping the sari are popular and tend to dominate; the Indian style (classic nivi drape) and the Kandyan style (or 'osaria' in Sinhalese). The Kandyan style is generally more popular in the hill country region of Kandy from which the style gets its name. Though local preferences play a role, most women decide on style depending on personal preference or what is perceived to be most flattering for their figure.
The traditional Kandyan (Osaria) style consists of a full blouse which covers the midriff completely, and is partially tucked in at the front as is seen in this 19th century portrait. However, modern intermingling of styles has led to most wearers baring the midriff. The final tail of the sari is neatly pleated rather than free-flowing. This is rather similar to the pleated rosette used in the 'Dravidian' style noted earlier in the article.
Kandyan style is considered as the national dress of Sinhalese women. It is the Uniform of air hostesses of Sri Lankan Airlines.
In Nepal
In Nepal, a special style of draping is used in a saree called Haku patasi. The saree is draped around the waist and a shawl is worn covering upper half of saree which is used in place of "pallu".
The sari as cloth
Saris are woven with one plain end (the end that is concealed inside the wrap), two long decorative borders running the length of the sari, and a one to three foot section at the other end which continues and elaborates the length-wise decoration. This end is called the pallu; it is the part thrown over the shoulder in the Nivi style of draping.
In past times, saris were woven of silk or cotton. The rich could afford finely-woven, diaphanous silk saris that, according to folklore, could be passed through a finger ring. The poor wore coarsely woven cotton saris. All saris were handwoven and represented a considerable investment of time or money.
Simple hand-woven villagers' saris are often decorated with checks or stripes woven into the cloth. Inexpensive saris were also decorated withblock printing using carved wooden blocks and vegetable dyes, or tie-dyeing, known in India as bhandani work.
More expensive saris had elaborate geometric, floral, or figurative ornaments or brocades created on the loom, as part of the fabric. Sometimes warp and weft threads were tie-dyed and then woven, creating ikat patterns. Sometimes threads of different colors were woven into the base fabric in patterns; an ornamented border, an elaborate pallu, and often, small repeated accents in the cloth itself. These accents are calledbuttis or bhutties (spellings vary). For fancy saris, these patterns could be woven with gold or silver thread, which is called zari work.
Sometimes the saris were further decorated, after weaving, with various sorts of embroidery. Resham work is embroidery done with colored silk thread. Zardozi embroidery uses gold and silver thread and sometimes pearls and precious stones. Cheap modern versions of zardozi use synthetic metallic thread and imitation stones, such as fake pearls and Swarovski crystals.
In modern times, saris are increasingly woven on mechanical looms and made of artificial fibers, such as polyester, nylon, or rayon, which do not require starching or ironing. They are printed by machine, or woven in simple patterns made with floats across the back of the sari. This can create an elaborate appearance on the front, while looking ugly on the back. The punchra work is imitated with inexpensive machine-made tassel trim.
Hand-woven, hand-decorated saris are naturally much more expensive than the machine imitations. While the over-all market for handweaving has plummeted (leading to much distress among Indian handweavers), hand-woven saris are still popular for weddings and other grand social occasions. A prominent weaver who designs brocades, Paithani and other types of saris is Meera Mehta.
Types of saris
While an international image of the 'modern style' sari may have been popularised by airline stewardesses, each region in the Indian subcontinent has developed, over the centuries, its own unique sari style. Following are the well known varieties, distinct on the basis of fabric, weaving style, or motif, in South Asia:
 Tanchoi
 Shalu
Western styles
 Paithani – Maharashtra
 Bandhani – Gujarat and Rajasthan
 Kota doria Rajasthan
 Lugade – Maharashtra
Central styles
 Chanderi – Madhya Pradesh
 Maheshwari – Madhya Pradesh
 Kosa silk – Chattisgarh
Southern styles
 Kanchipuram (locally called Kanjivaram) – Tamil Nadu
 Coimbatore – Tamil Nadu
 Chinnalapatti – Tamil Nadu
 Chettinad – Tamil Nadu
 Madurai – Tamil Nadu
 Arani – Tamil Nadu
 Pochampally – Andhra Pradesh
 Venkatagiri – Andhra Pradesh
 Gadwal – Andhra Pradesh
 Guntur – Andhra Pradesh
 Narayanpet – Andhra Pradesh
 Mangalagiri – orissa
 Balarampuram – Kerala
 Mysore Silk – Karnataka
 Ilkal saree
 Valkalam saree
Salwar kameez (also spelled shalwar kameez or shalwar qameez) is a traditional dress worn by both women and men in South Asia and is considered the National Dress of Pakistan. Salvar or shalvar are loose pajama-like trousers. The legs are wide at the top, and narrow at the ankle. The kameez is a long shirt or tunic. The side seams (known as the chaak) are left open below the waist-line, which gives the wearer greater freedom of movement. In Afghanistan and Pakistan, the garment is worn by both sexes. In Bangladesh, India and Sri Lanka, it is most commonly a woman's garment, albeit still worn by some men
Salwar are gathered at the waist and held up by a drawstring or an elastic band. The pants can be wide and baggy or more narrow, and even made of fabric cut on the bias. In the latter case they are known as churidar.
The kameez is usually cut straight and flat; older kameez use traditional cuts, as shown in the illustration above. Modern kameez are more likely to have European-inspired set-in sleeves. The tailor's taste and skill are usually displayed, not in the overall cut, but in the shape of the neckline and the decoration of the kameez. Modern versions of the feminine kameez can be much less modest than traditional versions. The kameez may be cut with a deep neckline, sewn in diaphanous fabrics, or styled in cap-sleeve or sleeveless designs. The kameez side seams may be split up to the thigh or even the waistline, and it may be worn with the salwar slung low on the hips. When a woman wears a semi-transparent kameez (mostly as a party dress), she wears a choli or a cropped camisole underneath it.
When women wear the salwar kameez, they usually wear a long scarf or shawl called a dupatta around the head or neck. For Muslim women, the dupatta is a less stringent alternative to the chador or burqa (see also hijab and purdah). For Sikh and Hindu women (especially those from northern India, where the salwar kameez is most popular), the dupatta is useful when the head must be covered, as in a Gurdwara or a Temple, or the presence of elders. For other women, the dupatta is simply a stylish accessory that can be worn over one shoulder or draped around the chest and over both shoulders.
The Shalwar kameez is sometimes known as "Punjabi suit," in Britain and Canada. In Britain, especially during the last two decades, the garment has been transformed from an everyday garment worn by immigrant South Asian women from the Punjab region to one with mainstream, and even high-fashion, appeal.
In India, the garment was originally confined to the North, but as a convenient and modest alternative to a sari - and also as one that flatters practically any body-type - it has become popular across the nation. By varying the fabric, color and the level of embroidery and decoration, the salwar-kameez can be formal, casual, dressy, or plain; and it can also be made to suit practically all climates.

Culture & People
With nearly 1 billion citizens, India is the second most populous nation in the world. It is impossible to speak of any one Indian culture, although there are deep cultural continuities that tie its people together. English is the major language of trade and politics, but there are fourteen official languages in all. There are twenty-four languages that are spoken by a million people or more, and countless other dialects. India has seven major religions and many minor ones, six main ethnic groups, and countless holidays.
Religion is central to Indian culture, and its practice can be seen in virtually every aspect of life in the country. Hinduism is the dominant faith of India, serving about 80 percent of the population. Ten percent worship Islam, and 5 perscent are Sikhs and Christians; the rest (a good 45 million) are Buddhists, Jains, Bahai, and more.

Location, Geography, & Climate
Set apart from the rest of Asia by the supreme continental wall of the Himalayas, the Indian subcontinent touches three large bodies of water and is immediately recognizable on any world map. It is the huge, terrestrial beak between Africa and Indonesia. This thick, roughly triangular peninsula defines the Bay of Bengal to the east, the Arabian sea to the west, and the India Ocean to the south.
India's puzzleboard of 26 states holds virtually every kind of landscape imaginable. An abundance of mountain ranges and national parks provide ample opportunity for eco-tourism and trekking, and its sheer size promises something for everyone. From its northernmost point on the Chinese border, India extends a good 2000 miles (3200 km) to its southern tip, where the island nation of Sri Lanka seems to be squeezed out of India like a great tear, the synapse forming the Gulf of Mannar. India's northern border is dominated mostly by Nepal and the Himalayas, the world's highest mountain chain. Following the sweeping mountains to the northeast, its borders narrow to a small channel that passes between Nepal, Tibet, Bangladesh, and Bhutan, then spreads out again to meet Burma in area called the "eastern triangle." Apart from the Arabian sea, its western border is defined exclusively by Pakistan.
India can be organized along the compass points. North India, shaped like a throat and two lungs, is the country's largest region. It begins with the panhandle of Jammu and Kashmir, a dynamic area with terrain varying from arid mountains in the far north to the lake country and forests near Sringar and Jammu. Falling south along the Indus river valley, the North becomes flatter and more hospitable, widening into the fertile plains of Punjab to the west and the Himalayan foothills of Uttar Pradesh and the Ganges river valley to the East. Cramped between these two states is the capital city, Delhi. The southwestern extremity of the North is the large state of Rajastan, whose principal features are the Thar Desert and the stunning "pink city" of Jaipur. To the southeast is southern Uttar Pradesh and Agra, home of the famous Taj Mahal.
West India contains the states of Gujarat, Maharashtra, Goa, and part of the massive, central state of Madhya Pradesh. The west coast extends from the Gujarat peninsula down to Goa, and it is lined with some of India's best beaches. The land along the coast is typically lush, with rainforests reaching southward from Bombay all the way to into Goa. A long mountain chain, the Western Ghats, separates the verdant coast from the Vindya mountains and the dry Deccan plateau further inland.
Home of the sacred Ganges river and the majority of Himalayan foothills, East India begins with the states of Madhya Pradesh, Bihar, Orissa, which comprise the westernmost part of the region. East India also contains an area known as the eastern triangle, which is entirely distinct. This is the last gulp of land that extends beyond Bangladesh, culminating in the Naga Hills along the Burmese border.
India reaches its peninsular tip with South India, which begins with the Deccan in the north and ends with Cape Comorin, where Hindus believe that bathing in the waters of the three oceans will wash away their sins. The states in South India are Karnataka, Andhra Pradesh, Tamil Nadu, and Kerala, a favorite leisure destination. The southeast coast, mirroring the west, also rests snugly beneath a mountain range---the Eastern Ghats.
Because of India's size, its climate depends not only on the time of year, but also the location. In general, temperatures tend to be cooler in the north, especially between September and March. The south is coolest between November to January. In June, winds and warm surface currents begin to move northwards and westwards, heading out of the Indian Ocean and into the Arabian Gulf. This creates a phenomenon known as the south-west monsoon, and it brings heavy rains to the west coast. Between October and December, a similar climatic pattern called the north-east monsoon appears in the Bay of Bengal, bringing rains to the east coast. In addition to the two monsoons, there are two other seasons, spring and autumn.
Though the word "monsoon" often brings to mind images of torrential floods and landslides, the monsoon seasons are not bad times to come to India. Though it rains nearly every day, the downpour tends to come and go quickly, leaving behind a clean, glistening landscape.

It is impossible not to be astonished by India. Nowhere on Earth does humanity present itself in such a dizzying, creative burst of cultures and religions, races and tongues. Every aspect of the country presents itself on a massive, exaggerated scale, worthy in comparison only to the superlative mountains that overshadow it. Perhaps the only thing more difficult than to be indifferent to India would be to describe or understand India completely.

Mark Twain

"So far as I am able to judge, nothing has been left undone, either by man or nature, to make India the most extraordinary country that the sun visits on his rounds. Nothing seems to have been forgotten, nothing overlooked." --Mark Twain

My Intro.....

NAMASTE
iam gautami sandhya sundaram doing my engineering

this a small try to provide details about my mother india